Artwork > Campaign Julienne

Low Front #1
Ink on Mylar
20"x50"
2017
Low Front #2
Ink on Mylar
20"x50"
2017
Low Front #3
Ink on Hand-Cut Mylar
20"x50"
2017
Low Front #3 (Detail)
Ink on Hand-Cut Mylar
2017
Low Front #2 (Detail)
Ink on Mylar
20"x50"
2017
Low Front #1 (Detail)
Ink on Mylar
20"x50"
2017
Low Front #4
Ink on Hand-Cut Mylar
20"x50"
2019
Decorative Borders
Ink on Hand-Cut Mylar
40"x30"
2017
Lithotomy
Ink on Hand-Cut Mylar
14"x14"
2017
Infra-Red | Infra-Structure
Ink on Hand-Cut Mylar
18"x18"
2017
Infra-Red | Infra-Structure
Ink on Hand-Cut Mylar
2017
Affect | Effect
Ink on Hand-Cut Mylar
12"x14"
2017
The Bountiful Lady
Mixed Media on Mylar
30"x40"x5"
2015
The Bountiful Lady (Detail)
Ink on Hand-Cut Mylar
2015
Decoys and Honey
Mixed Media on Mylar
30"x40"x5"
2015
Decoys and Honey
Ink on Hand-Cut Mylar
2015
Tender Target #1
Ink on Hand-Cut Mylar
32"x32"
2017
Tender Target #1 (Detail)
Ink on Hand-Cut Mylar
2017

This body of work began with the start of the presidential primaries. The months before and after the election managed to uncover many unresolved battles of America’s complicated history – contentious race relations, sexism, nativism, and an ever-growing wage gap. The drawings in this exhibition record the inconsistencies of a society that simultaneously proclaims itself to be “post-racial” and “post-gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. I collage historical publicized images - advertisements, campaign posters, newspaper photographs and printed textiles - that parallel our current political and social climates into a singular narrative composition to document the cyclical and systemic nature of marginalization in America. The drawings capitalize on America’s propensity for nostalgia and decorum, luring the viewer into facing these inequities through the detached lens of that which has already happened.